That’s going to help us see our luma better. The first thing that would be good to do is come over here to the tone and the saturation, take the saturation all the way down. We’re going to use the waveform scope here and it is set at Luma. We’re going to adjust our luma, which is our brightness. And if you use Lightroom or Adobe Camera Raw, you see these similar color wheels in there too. They give a good representation of your adjustment. And we’re going to use a color wheel in combination with some of these exposure controls. You can use these RGB curves over here, but we are going to use something called a color wheel. You can use the exposure contrast highlights, shadows, whites, and blacks over here in a tone. So there are a couple of different ways that you can make this adjustment. So you want to stretch that Luma Waveform across a dynamic range. In a sign of lack of contrast, the Luma Waveform only goes from 20 to 60. And you can see that this image very flat. So here’s the first clip we’re going to work with, and we’re going to use our Luma Waveform. Now we’re going back into the shadows, seeing the waveform. But this is one reason that you should look at the entire clip to see if you find spots like this where all of a sudden we’re in bright sunlight. So this is an example of something that we will adjust. , the brightness and contrast it all the way up there to 100. All of a sudden the scene changed and part of them are marching into the sun at the top of your Luma WaveForm Another example of this is where we have a parade and the ladies are marching there in the shadow of these buildings. And as she’s lifting her head right there, you can see that right here at the top, there is more brightness or there are highlights.Īnd that’s right at the top of her head. So if I play this, you can see the movement in this clip. So if we look at the scope horizontally, it matches the clip as it goes from left to right. Skin tones are somewhere around 60 to 70, so that’s looking at the scope vertically. Close to zero is where your shadows are going to be. They don’t need to be all the way up to 100, somewhere around 80 to 90 down here. You see your brightness and your highlights. If I right-click on this window where the Lumetri scopes is, but come down to waveform type and click on Luma and there is my Luma Waveform on the left, you have your scale from zero to 100 up somewhere near 100 up That’s the brightness of your clip, and we’re going to use something called the waveform scope. So first, we’re going to adjust something called the Luma. I don’t have any Lumetri scopes open right now, so that’s why this window is blank. I want to make sure my new Lumetri color, my Lumetri scopes, is checked in here. And click on that and the window on the top. So I’m in the editing workspace right now, and to do my color correction, I’m going to come up here to where says color. Using the Luma Waveform with Color WheelsĪnd the first step should be to adjust your blacks and whites or your contrast. So we’re going to go through a couple of steps to get you through color correcting. That’s something you probably want to do after you color correct, and color grading is a little bit more in the creative process. I’m sure you’ve heard the word color grading. So when talking about color correction, we’re talking about exposure, contrast, and color balance. Also, they help so you’re not relying on your eyes alone to make adjustments. The Lumetri scopes help us to get our colors and black and white levels correct. Adobe Premiere Pro you will be using the Lumetri color panel along with some of the Lumetri scopes. In this video, I’m going to show you steps to color, correct your video.
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